SUMMER SERIES III – THE MASTERY OF MOZART
SUMMER SERIES III – THE MASTERY OF MOZART
Saturday 30 July 2022
St Martin-in-the-Fields, London, 19:30
Mozart Serenade No. 13 in G major, K. 525, ‘Eine Kleine Nachtmusik’
Mozart Sinfonia Concertante for Violin and Viola in E flat major, K. 364
Mozart Symphony No. 29 in A major, K. 201
Charlotte Scott violin
Rosalind Ventris viola
Marios Papadopoulos conductor
The viola became Mozart’s most beloved instrument. The distinctively mellow, plaintive sound of the instrument saturates the composer’s sublime Sinfonia Concertante in E flat major for Violin and Viola, a piece that glows from within when the instruments aren’t chasing each other down. Mozart also remained fond of his Symphony No. 29 long after it was The viola became Mozart’s most beloved instrument. The distinctively mellow, plaintive sound of the instrument saturates the composer’s sublime Sinfonia Concertante in E major for Violin and Viola, a piece that glows from within when the instruments aren’t chasing each other down. Mozart also remained fond of his Symphony No. 29 long after it was written. This symphonic coming-of-age oozes well-bred charm on the surface but carries a characteristically Mozartian sadness and depth that cannot help but leave their mark. The composer’s best-known earworm opens this portrait of music’s supreme combiner of energy and grace.
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Soloists of the Oxford Philharmonic Orchestra come to the Holywell Music Room for flute-led chamber music that celebrates heritage while also reflecting on loss.
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In the galleries of the Sheldonian Theatre, Marios Papadopoulos marshals the most majestic and timeless of sacred works.
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